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J.-A.-C. Pajou-Attrib. "Laurent Gouvion Saint-Cyr", oil/canvas, important Napoleonica!!, ca. 1800
Price: 11000 EUR
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Offered here is a superior quality portrait of a 35/40-year-old general of the French Republican Army (period of Directory - early Consulate). The sitter was long assumed to be an unnamed officer of French Revolutionary army by its previous owner (a Swiss art collector), from whom we acquired this piece.
Our brief research (see our comparison images nr.10-12) was able to establish the identity of this man. We learned that we were dealing with (then 35-year-old) Division General Laurent Gouvion Saint-Cyr, who in 1812, during the Russian Campaign, was raised by Napoleon to the rank of Marshal of the 1st Empire.
Laurent de Gouvion Saint-Cyr was born as Laurent Gouvion in Toul, department Meurthe-et-Moselle, France, the eldest child of Jean-Baptiste Gouvion, a tanner, and his wife Anne-Marie Mercier. He adopted the name Saint-Cyr after his mother, who had abandoned him at an early age.
He went to Rome when he was eighteen in order to study painting, but, although he continued his artistic studies after his return to Paris in 1784, he never adopted the profession of a painter.
He married Anne Gouvion (Toul, 2 November 1775 - Paris, 18 June 1844) and had issue, including Laurent François, Marquis de Gouvion Saint-Cyr (30 December 1815 - 30 January 1904), married in Saint-Bouize on 17 August 1847 to Marie Adélaïde Bachasson de Montalivet (5 November 1828 - 14 April 1880), daughter of Marthe Camille Bachasson, Count of Montalivet, and had issue.
In 1792 he was chosen a captain in a volunteer battalion, and served on the staff of General Custine. Promotion rapidly followed, and in the course of two years he became a general of division. He commanded the centre division of Jean Victor Marie Moreau's army in the Rhine Campaign of 1796, aiding in the celebrated retreat from Bavaria to the Rhine.
In 1798 he succeeded André Masséna in the command of the army of Italy. In the following year he commanded the left wing of Jean-Baptiste Jourdan's army fighting in Germany; when Jourdan was succeeded by Masséna, he joined the army of Moreau in Italy, where he distinguished himself in face of the great difficulties that followed the defeat of Novi. Moreau disliked Saint-Cyr for his sense of righteousness and incorruptibility. Rumours were soon spreading that Saint-Cyr was a "bad bed fellow". Moreau also accused him of not supporting his brother generals though General Ney and Davout often thanked him for support after battles. When Moreau, in 1800, was appointed to the command of the army of the Rhine, Gouvion Saint-Cyr was named his principal lieutenant, and on 9 May gained a victory over General Kray at Biberach. He was not, however, on good terms with his commander and retired to France after the first operations of the campaign.
In 1801 he was sent to Spain to command the army intended for the invasion of Portugal (CLICK HERE), and was named Grand Officer of the Legion of Honour. When a treaty of peace was shortly afterwards concluded with Portugal, he succeeded Lucien Bonaparte as ambassador at Madrid.
Saint-Cyr was a stoic in an age of pragmatism and glory. His refusal to sign the proclamation of congratulation for declaring the birth of the empire resulted in his name not being included in the first list of Napoleonic Marshals, while commanders such as Lannes, Bessières and Soult who had not had independent command experience were included. For the whole of his life Saint-Cyr believed that Napoleon deliberately refused him troops just to disgrace him. In 1803 he was appointed to the command of an army corps in Italy, in 1805 he served with distinction under Masséna, and in 1806 he was engaged in the campaign in southern Italy. When he returned to Paris to protest his treatment in Naples, Napoleon sent him back to his post on pain of death. He took part in the 1807 campaigns in Prussia and Poland, and in 1808, in which year he was made a count, he commanded an army corps in Catalonia; but, not wishing to comply with certain orders he received from Paris, he resigned his command and remained in disgrace till 1811.
He was still a général de division, having been excluded from the first list of marshals. On the opening of the Russian campaign, Saint-Cyr received command of the VI Corps, and on 18 August 1812 won a victory over the Russians at Polotsk, in recognition of which he was made a marshal. The Russians, under Barclay de Tolly, were burning everything as they retreated back towards Moscow, and had just burned nearby Smolensk. It was just prior to the victory at Polotsk on the banks of the Daugava river, however, that Oudinot was wounded, and thus Saint-Cyr assumed his command.
In October 1812 Saint-Cyr was driven out of Polotsk. He received a severe wound in one of the battles during the general retreat. Saint-Cyr distinguished himself at the battle of Dresden (26-27 August 1813) and in the defence of that place against the Allies after the battle of Leipzig, capitulating only on 11 November, when Napoleon had retreated to the Rhine. In this year, Saint Cyr's relation with the Emperor warmed as Napoleon commented that Saint Cyr had no match in all of the marshalate and was the equal of Napoleon himself in defence. On the day he received his long overdue baton he wrote a lengthy letter to his wife and true to his character he devoted only one line to his promotion.
On the Bourbon Restoration he was created a Peer of France, and in July 1815 was appointed War Minister, but resigned his office in the following November. During this appointment he tried to assist long-time friend and fellow marshal Ney by providing him a jury of four other Napoleonic Marshals, but was disgraced when Marshal Moncey refused to even sit in it. In June 1817 he was appointed Marine Minister a pretext for him to resume the place of War Minister, which he did in September and continued to discharge till November 1819. During this time he initiated many reforms, particularly in respect of measures tending to make the army a national rather than a dynastic force. He made efforts to safeguard the rights of veteran soldiers of the Empire, organized the General Staff, and revised the code of military law and the pension regulations. He was made a marquess in 1817. Laurent de Gouvion-Saint-Cyr died on 17 March 1830 in Hyères, a town in the southeast of France.
Marshall Saint-Cyr is mentioned in Joseph Conrad's short story "The Duel" (as well as Ridley Scott's film adaptation The Duellists) as the commander of Armand d'Hubert after the second and final restoration of Louis XVIII as King of France.
Laurent de Gouvion Saint-Cyr is probably depicted here as a division general and deputy of General Moreau, Commander of the Army of the Rhine. See also our web #32908.
This superior quality oil painting strongly resembles works of well-known artist Jacques-Augustin-Catherine Pajou, who was working in France at the turn of the 18th century. Our comparison images nr.13-25 convincingly support the assumption that it was precisely Pajou, who painted this portrait.
Jacques-Augustin-Catherine Pajou was born on August 27, 1766 in Paris as a son of famous French sculptor Augustin Pajou. In 1784, he enrolled into Academie Royale de painture et de sculpture. Concurrently to his studies, Pajour took lessons from Jacques-Louis David (his name is listed among the latter's pupils). During the French Revolution, in 1792-1793, he served as a volunteer in the "compagnie des arts de Paris" (CLICK HERE). During the 1st Empire, Pajou produced portraits of several celebrities of his time and in 1812 painted "Clémence de Napoléon envers Mademoiselle de Saint-Simon " - a work, for which he received Salon's gold medal. In 1814, he dedicated a cycle of allegorical paintings to the restored Bourbons.
He died on November 28, 1828 in Paris, and was buried at the Cemetery Pére-Lachaise.
His son August Desire Pajou also became a painter (and a pupil of Vincent).
CLICK HERE, for extensive biography of Jacques-Augustin-Catherine Pajou.
Condition: good; in magnificent gilded frame
Creation Year: ca 1800
Measurements:UNFRAMED:95,0x74,0cm/37,4x29,1in FRAMED: 118,5x98,0cm/46,7x38,6in
Object Type:Framed oil painting
Style: Old Master paintings
Technique: oil on canvas (oval)
Creator: Jacques-Augustin-Catherine Pajou
Creator Dates: 1766 Paris-1828 Paris
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